offline…

foreverAgain.

A celebration of digital art in motion: GIFs, animations, video art, and browser-based experiments.

June 20 – July 3, 2025 · 243 Bowery · Curated by An Rong (anloremi) · Show 5 of 13

Artists

Bryan Brinkman, Cem Hasimi, Diane Lindo, ERTDFGCVB, Karborn, Neurocolor, Nikita Diakur, Patrick Amadon, Perfectloop, Rebecca Rose

Opening reception June 25, 5–9PM

About the exhibition

foreverAgain is a celebration of digital art in motion: GIFs, animations, video art, and browser-based experiments that have shaped how we see, feel, and share. Born in the early days of the internet, the GIF quickly became more than a format; it became a vernacular. In the 1990s and 2000s, digital artists embraced its immediacy and accessibility to explore repetition, irony, abstraction, and motion on a new stage: the browser, and later, social media. At the same time, video and animation artists working across television, cinema, and online platforms used the loop as a conceptual tool—a way to trap moments, extend gestures, or create immersive experiences. In an age defined by screens, these moving images live between signal and memory, remix and ritual. They circulate endlessly through feeds, code, and culture. foreverAgain honors this lineage while looking ahead, as digital art continues to evolve alongside the technologies and platforms that carry it forward.

Text from superrare.com

offline…

foreverAgain.

A celebration of digital art in motion: GIFs, animations, video art, and browser-based experiments.

June 20 – July 3, 2025 · 243 Bowery · Curated by An Rong (anloremi) · Show 5 of 13

Artists

Bryan Brinkman, Cem Hasimi, Diane Lindo, ERTDFGCVB, Karborn, Neurocolor, Nikita Diakur, Patrick Amadon, Perfectloop, Rebecca Rose

Opening reception June 25, 5–9PM

foreverAgain., documentation

foreverAgain is a celebration of digital art in motion: GIFs, animations, video art, and browser-based experiments that have shaped how we see, feel, and share. Born in the early days of the internet, the GIF quickly became more than a format; it became a vernacular. In the 1990s and 2000s, digital artists embraced its immediacy and accessibility to explore repetition, irony, abstraction, and motion on a new stage: the browser, and later, social media. At the same time, video and animation artists working across television, cinema, and online platforms used the loop as a conceptual tool—a way to trap moments, extend gestures, or create immersive experiences. In an age defined by screens, these moving images live between signal and memory, remix and ritual. They circulate endlessly through feeds, code, and culture. foreverAgain honors this lineage while looking ahead, as digital art continues to evolve alongside the technologies and platforms that carry it forward.

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Text from superrare.com