EGO in the Shell: Ghost Interrogation
An official collaboration between Ghost in the Shell® and artist Emi Kusano.
October 8 – November 8, 2025 · 243 Bowery · Curated by Yohsuke Takahashi & Mika Bar-On Nesher · Show 11 of 13Artist
Partner
An official collaboration with Ghost in the Shell®
Opening reception October 8, 6–8PM EST
About the exhibition
EGO IN THE SHELL is an attempt to overlap the Buddhist philosophy of the self as kū (emptiness) with our modern condition, where AI reproduces and expands human memory. The future depicted in Ghost in the Shell—where boundaries between body and mind, self and other, reality and illusion dissolve—is no longer a work of fiction.
In this exhibition, the artist's own body and facial data are not treated as a confessional subject, but as an impersonal material, like paint on a canvas. They serve as a universal vessel or sample, reflecting the nature of the self in our time.
The inquiry here is not to lament the absence of a "ghost" (ego). Instead, it adopts the Buddhist perspective of engi (dependent origination), where the self does not exist in isolation but is a transient, "empty" phenomenon, conditionally arising through its relationships with others. From this standpoint, the exhibition interrogates how algorithmic reproduction makes this "empty vessel" of the self visible and rewrites our very sense of lived experience.
Text from superrare.com
EGO in the Shell: Ghost Interrogation
An official collaboration between Ghost in the Shell® and artist Emi Kusano.
October 8 – November 8, 2025 · 243 Bowery · Curated by Yohsuke Takahashi & Mika Bar-On Nesher · Show 11 of 13Artist
Partner
An official collaboration with Ghost in the Shell®
Opening reception October 8, 6–8PM EST
EGO IN THE SHELL is an attempt to overlap the Buddhist philosophy of the self as kū (emptiness) with our modern condition, where AI reproduces and expands human memory. The future depicted in Ghost in the Shell—where boundaries between body and mind, self and other, reality and illusion dissolve—is no longer a work of fiction.
In this exhibition, the artist's own body and facial data are not treated as a confessional subject, but as an impersonal material, like paint on a canvas. They serve as a universal vessel or sample, reflecting the nature of the self in our time.
The inquiry here is not to lament the absence of a "ghost" (ego). Instead, it adopts the Buddhist perspective of engi (dependent origination), where the self does not exist in isolation but is a transient, "empty" phenomenon, conditionally arising through its relationships with others. From this standpoint, the exhibition interrogates how algorithmic reproduction makes this "empty vessel" of the self visible and rewrites our very sense of lived experience.
Text from superrare.com